Meeting Photo Challenges
Creative Image Processing
Nature & Outdoor
Creating Better Photographics
Night & Low Light Photography
Light & Exposure
Close-Up & Macro
Digital Black & White
Color & Design
Choosing & Using Lenses
Digital Photography Equipment
Peter McGowan: Nautical Images Extraordinaire:
SAIL magazine sponsored a photo contest in Fall, 1993. “I wound up winning the grand prize,” McGowan beams. “I thought, ‘wow, I guess I can actually do this.’” This initial success inspired him to go to the Key West Sailing Regatta in January, ’94. “I took lots of pictures and got soaking wet,” he laughs. This excursion resulted in his first magazine cover for SAIL in June ’94. Bolstered with confidence, McGowan began getting photo assignments from SAIL and Sailing World. “To get more experience, I heard that it’s best to get images published editorially,” he explains. He went to lots of sailing events and regattas, some of which were “on spec.” He also garnered assignments from other nautical magazines. Eventually, he broke into the well-paying world of advertising photography. A resident of Rhode Island today, he travels the world to get many of his exciting nautical images, and still enjoys participating in a variety of outdoor sports.
Maritime Clientele McGowan’s
images appear in SAIL, Sailing World, Sailing, Yachting, Outside, Condé
Nast Sports, Wooden Boat, USA Today, The New York Times, New York Daily News,
Windsurfing, Soundings, Cruising World, Seahorse, Australian Sailing, and “most
marine magazines.” Among his corporate accounts are United Airlines’
in-flight publications, Patagonia, Oakley Sunglasses, Accenture, West Marine,
and Southwestern Bell. In 1996 and ’97, he won first prize in a photo
contest as a “quasi-pro” at Sail Expo in Atlantic City (he won 2nd
place in 1995).
Shooting Digitally and With Film In terms of photo gear, McGowan is a Canon shooter. His staples are the EOS-1v, the EOS A2e (which he uses with Stromm waterproof housing), and the EOS 10D digital SLR, which he applauds as “a great camera.” He uses a 300mm, f/2.8 Image Stabilizing (IS), 70–200mm f/2.8 IS, 17–35mm f/2.8, a fisheye 15mm f/2.8, and 28–80mm f/2.8 lenses. He offers up this advice: “If you have extra money, put it in a good lens—it’s all in the optics.” McGowan also uses a Canon 1.4X tele-extender, and from time to time, he’ll use a remote-control device (the type found on model airplanes) on top of a boat’s mast.
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